Showing posts with label audio. Show all posts
Showing posts with label audio. Show all posts

11 May, 2017

Phantom mic-mixer


The Behringer Xenyx302USB is a nifty little piece of audio-hardware :) 5 channel mixer, Phantom-powered (48V) XLR microphone-input / JACK-input, line-input and 2-track input coupled with an USB audio-interface (full duplex input/output).


A compact and really portable design, weighs nothing and sports a sturdy build-quality I'm not used to seeing in equipment in this price-range. Although the mic-input could really use a filter (it picks up every hiss and click in the room), this can easily be remedied with a standalone hum-eliminator box.

All-round it is a great choice for podcasting, amateur recording, limited input-mixing, video / audio conferences and the like.

06 April, 2017

HiFiBerry Digi+ Pro (for RPi)

Recently got a really nifty Pi-hat (addon-card for Raspberry Pi) called "HiFiBerry" - model "Digi+ Pro".




"Pi-hats" are simple single-PCB addon-cards that slot on top of Raspberry Pi line of single-board computers, and extends the functionality of the RPi's. The HiFiBerry slots easily on top of the GPIO pin-row, with the help of plastic risers (the white bolts/nuts pictured below).


With the HiFiBerry Digi+ Pro, I get audio-output in 24bit 96KHz "studio-quality". NiCE! :)


22 April, 2010

Digital video/audio formats?

I recently acquired myself a hybrid Hi-Fi HD surround receiver to try and organize all my A/V-cables, and also to enhance my listening experience both with music and film.

Honestly, I didn't actually expect to notice any difference between Dolby Digital/DTS surround sound, and the new formats Dolby TrueHD and DTS HD.

But I certainly did.

Dolby Digital (or "DD") was the first fully digitized stream-standard for movie-surround. This means that the audio-track on the DVD/DVR/BD medium is digitally recorded and encoded (analogue soundwaves, converted into computer-data, further reducing distortion and noise).

  • DD uses the AC3 (Audio Codec 3) codec to compress 5.1 surround channels of sound at varying sample-rates of up to 48KHz.
  • DD formats are usually noted as "DD 2.0" or "DD 5.1" on specs (covers,etc.).

Dolby TrueHD (or "DTHD") is the first Dolby-implementation of a high-definition sound codec. Dolby based the DTHD codec on Meridian Lossless Packaging technology, making it a lossless format (meaning, it doesn't compress the audio-data, but stores it fullrange). Because of this, DTHD can handle up to 24Bit 96KHz audio, at an 18MBit/s transfer-rate, over 14 channels. A true High-Definition multi-channel system.

In conclusion, I think HD formats are for enthusiasts. If you aren't an audiophile (like me), chances are you won't even notice any differences. Unless you have a reasonably up-2-date Hi-Fi system with HDMI inputs or at least digital coax/optical inputs.

To put it in other words:

If Dolby Digital "is like going to the cinema"
Dolby TrueHD "IS the cinema"